PGA Diversity Blog

We Are the Audience Too: Responsibility as Creators

Opinion

Movie ScreenAs filmmakers, artists, and producers of original content, we have many responsibilities -- a responsibility to our craft, our goals, our team, and our audience--whether we are in film, television, or new media.  We are responsible for continually producing fresh, cutting-edge, and even diverse content for a variety of audiences.  The content we produce is motivated by personal and/or social factors, but whatever those may be, we cannot deny that we are responsible for the process and the end product.

 

Russell Simmons On Diversity In The Coming Decade

Opinion

Russell Simmons

At the dawn of a new decade, we have arrived at a moment unlike any other in the history of our beautiful nation. We have endured the brutality of slavery, we have survived the pain of Jim Crow and we have overcome segregation to declare our dignity and equal rights. We witnessed and participated in one of the greatest achievements in the history of our country when we elected our first black president, Barack Obama. And here we stand, with great opportunity, this year, this decade, to once and for all, emancipate ourselves from the mental slavery that is limiting our society and our people from moving forward.

 

Are Gay Characters On Television Hurting Tolerance?

Opinion

Glee's Chris ColferEven if you've never seen Glee, the Fox dramedy with show tunes in its veins and opera in its nervous system, you probably know that it's TV's gayest product since Richard Simmons. Last week's episode centered on a singing contest of "Defying Gravity," the anticonformity anthem from Wicked, every tween girl's favorite musical. The contestants: Rachel the glee-club diva vs. Kurt the, um—what's the male version of diva? Kurt (Chris Colfer) wears fluffy Alexander McQueen sweaters and sings notes high enough to make your fillings hurt. He can belt Beyoncé's "Single Ladies" and thrust his hips better than Ms. Knowles herself. Yet he can also melt your heart with his fortitude and frankness, especially during his fraught talks with his dad, a mechanic who still remembers when his son wore high heels—as a toddler. That's the thing about Kurt: he can be endearing, but he's also confusing. In one episode, the glee club split into a boys' team and a girls' team. Guess which side Kurt went for?

   

A Tall Yellow Bird, Purple Vampire And Cast Of Children Make Quite The Diverse 'Street'

Opinion

Sesame StreetI'm not a morning person, but my 1-year-old is. But then again so is his mother, which fortunately means I don't have to abruptly rouse myself out of bed as soon as I hear "da-da, da-da, da-da, da-da-da-da-da-da" coming out of the baby monitor perched atop the window on my side of the bed at 6:30am.

At some point a little person appears beside me. My bed, his booster seat, and I slowly drift towards consciousness. My morning haze isn't crowded with thoughts about what the day will bring - not the mountain of work I have to do, the numerous errands I have to run, nor the never-ending list of emails I should force myself to return. Instead, I find myself silently rapping about some guy named Murray and his little lamb, while visions of a purple puppet and two noodles dance around on my eyelids. "It's November, right?" I ask myself, puzzled by why I find myself talking to someone about Cinco de Mayo parade decorations.

 

Hey Pixar, Where Are The Heroic Girls?

Opinion

Disney/Pixar's UpDear Pixar,

This is not an angry letter. It is especially not an angry letter about Up, which I adored. I could have sat in the theater and watched it two more times in a row. I cried, but I also laughed so hard in places that it wore me out.

So I'm not complaining; I'm asking. I'm asking because I think so highly of you.

Please make a movie about a girl who is not a princess.

Of the ten movies you've released so far, ten of them have central characters who are boys or men, or who are anthropomorphized animals or robots or bugs who are voiced by and imagined as boys or men. These movies feature women and girls to varying degrees -- The Incredibles, in particular -- but the story is never "a girl and the things that happen to her," the way it's "a boy and what happens to him."

   

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